Hayley Millar Baker

Image-making in Hayley Millar Baker’s practice reflects the entanglement of history, memory and experience. Grounded in Wiradjuri Country, she works with photography, film and digital compo- sition. Drawing equally from family narratives, colonial archives and contemporary life, she examines the formation, transmission and contestation of narratives. These compositions resist resolution into a single perspective, instead holding multiple viewpoints in relation, where individual experience and collective histories remain intertwined.

The Biennale de Lyon acknowledges all First Nations peoples of Australia, their Traditional Custodians of the lands, and Elders past and present. We honour the enduring strength, diversity, and richness of First Nations artistic and cultural practices. We recognise First Nations peoples as Australia's first artists, whose creative traditions have been sustained across millennia and continue to shape the Nation's cultural landscape today.

In collaboration with the Fondation OPALE
With the support of the Australian Government through Creative Australia, its principal arts investment and advisory body
With the support of the Australian Embassy in France