Mai Nguyễn-Long

With her ceramic sculptures titled Vomit Girl, Mai Nguyễn-Long responds to imposed silence, rejection, and displacement. Shaped through processes of fragmentation and reassembly, her work — oscillating between humour and unease — draws on hybrid cultural references to address experiences of silencing and re-emergence. Each sculpture thus becomes, in the artist’s words, a “contemporary folkloric form,” through which stories obscured by diasporic trauma regain voice and form, unfolding into alternative modes of memory and transmission.

With the support of the Australian Embassy in France
In collaboration with Moly Sabata Résidence de la Fondation des Artistes