Born in 1926 in Sauve, France
Died in 1987 in Chanteloube, France

Drinking tea and reading the morning newspaper, Robert Filliou suddenly looks up and calls, “Hey you!”. He invites the viewer to open the newspaper at the same page and join him in reading the job advertisements. They become the starting point for a conversation about the meaning of labour and the values by which it is judged. The conversation opens onto Filliou’s idea of a poetical economy, inviting the viewer to imagine forms of work guided by curiosity, imagination and continual learning instead of productivity alone. The morning newspaper is read against the grain, turning the classifieds into a space for imagining other kinds of work.

At the core of Robert Filliou’s practice are ideas of language, play and exchange. Trained in economics and associated with Fluxus, he conceived art as a continuous, collective activity embedded in everyday life. His work challenges conventional notions of authorship, value and production, favouring openness, humour and participation. Through gestures that blur the boundaries between art and non-art, Filliou redefined creation as an ongoing process of thinking, making and sharing, an approach that continues to shape the understanding of art as a space of exchange.

Discover also

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George Brecht – Vide, 1986

Museum of Contemporary Art of Lyon (macLyon)

  • Passer d'un rêve à l'autre / To pass from one dream to another

Robert Filliou & George Brecht – Affiche pour Banqueroute, La Cédille qui Sourit, 1968

Museum of Contemporary Art of Lyon (macLyon)

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Alice Guy – La Fée aux choux ou la naissance des enfants, 1900

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Robert Filliou – L’Immortelle mort du monde, 1967

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Museum of Contemporary Art of Lyon (macLyon)

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Robert Filliou – TELEGRAMME, 1966

Museum of Contemporary Art of Lyon (macLyon)

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Museum of Contemporary Art of Lyon (macLyon)

  • Passer d'un rêve à l'autre / To pass from one dream to another

Robert Filliou – Hand Show, 1967

Museum of Contemporary Art of Lyon (macLyon)